After attempting to compromise the nation's security earlier on, the British delegation could not be received by the Oba of Benin immediately they arrived because of the need to check out their real mission. When the Oba signaled readiness to receive the delegates, they were in ?encased dress intended to be worn at levees,? to the palace. In other words, they were in military uniform to the palace of an Oba who was weary of visits of Europeans. After the incidence of the Dutchman, Commandant Willem Hogg, who pulled a pistol and shot at Oba Oresoyen in 1735, while on a courtesy visit to the palace to discuss business matters with the Oba and his chiefs, Benin Obas became a little more careful about granting direct audience to European visitors.

This is the genesis of the difficulties experienced by Capt. Gallwey while trying to have audience with the Oba in 1892. At the palace, the disposition and mannerisms of the visitors had to be carefully studied before the Oba could receive them, since they were in military uniform. Capt. Gallwey said the Oba was ?unreasonable? and then generalized ?? as all Benin Obas are wont to be.? He had made up his mind before the visit and was looking for excuses to set up Benin kingdom for British invasion. To emphasize that Benin was a special case to crack, the British rushed to force treaties on neighbouring territories. They attacked the Nana of Itsekiri, in their palm oil war in 1894 and exiled Nana to Ghana; attacked the Koko of Nembe in 1895, and the Ashanti Prempeh of Ashanti in 1896, to produce duress inspired spurious treaties to take control of the kings respective areas of influence.

The British accused Oba Ovonramwen of lack of cooperation, and to look good in the eyes of the rest of the world, added ?human sacrifice,? as their reasons for launching their full-scale war on Benin in January 1897. The real reason for the British Expedition was that the British viewed the Benin kingdom as the main obstacle in their expansion drive into the agricultural interior of the West African coast from the River Niger. The war lasted for eight days from January to early February 1897, and went in their favour because of their big guns and cannons, which the Edo army did not have. After capturing the ancient city of Benin and slaughtering thousands of the natives in cold blood, to grossly depopulate the city, and the few survivors had escaped to farms and villages, the British ransacked the palace of the Oba, homes of nobles and chiefs, artistes workshops, and shrines, to rescue ?pagan art? and relieve Benin of the ?evil.? Then the British burnt the entire city down to the last house.

Akin Adeoya in the Sunday Guardian of March 29, 2009, wrote: ?There was a great kingdom of Benin that lasted for centuries with a highly stable administration and a civilization that built great highways and produced works of such great significance that the British who invaded and ultimately defeated the Ovonramwen's gallant forces, nearly went mad with envy that not all their Christian piety or civility could help them resist the urge to steal these works of art, which their own civilization could not rival. These works of art, till today, still grace the shrines of the British Empire and civilization, the British Museum.?

The palace of the Oba of Benin, according to Joshua Utzheimer, 1603, was about the size of the German City of Tubingen.? This was razed down by fire by the British invading force, claiming to be on a civilizing mission. Is razing cities after the surviving few victims of their assault have surrendered, not the epitome of barbarism? Can any thing be more callous than this? Oba Ovonramwen who could not be captured but who surrendered to the British in August, 1897, was exiled to Calabar (in south-east Nigeria), where he died in January, 1914.

From accounts of members of the British army that invaded Benin City in 1897, we learn that the floors, lintels, and rafters of the council chambers and the king's residence in the palace were lined with sheets of repouss, decorated brass covered with royal geometric designs and figures of men and leopards. Ornamental ivory locks sealed the doors and carved ivory figurines surmounted anterior. A brass snake, observed for the first time by a European in the early eighteenth century, was still to be seen on the roof of the council chamber house. All of these, along with other invaluables, including precious works of arts, the invading British stole in the name of their king and country. What they could not steal or burn, they destroyed, including invaluable records of the Bini scintillating civilization, to allow their historians to falsify human history and African contributions.

According to Prof. Akin Ibidapo-Obe in: A Synthesis of African law, ?the British stripped Benin of its pagan art treasure?..almost 2,500 of the famous Benin bronzes, valuable works of art such as the magnificent carved doors in the palace, were carried off to Europe for sale. Today, almost every museum of the world possesses an art treasure from Benin. It is important to relate the account of British brigandage and deliberate and wanton stealing of Africa´s invaluable art treasures to show that our culture was great and was envied. The tradition and way of life that spawned such great achievement was deliberately destroyed and history was falsified to justify the introduction of their obnoxious laws, some of which purported to forbid our traditional religion.?

This is how Prof. Felix Van Luschan, a former official of the Berlin Museum for Volkerhunde, described what the British deviously called Pagan art of Benin; ?these works from Benin are equal to the very finest examples of European casting technique. Benvenuto Celini could not have cast them better, nor could any one else before or after him. Technically, these Bronzes represent the very highest possible achievement.? Only a highly civilized nation could have borne the expenditure and facilities of such marvelous works of art, some of the best masterpieces in the history of mankind.

When the Nigerian government requested to loan a replica of the Idia Ivory mask for use during the 2nd World Black and African Festival of Arts and Culture (FESTAC), held in 1977 in Lagos, Nigeria, from the British Museum of Mankind, the British authorities insisted on the Nigerian government depositing a sum of three million dollars before collecting the loaned copy. A 17th century Benin bronze head (nine inches high) stolen from the palace of Oba Ovonramwen, by the British invaders in 1897, was auctioned by Sotheby, New York, for US$550,000 in July, 2007.

Despite the British abuse of Edo culture and marginalization of Edo history, the splendour of Edo civilization continues to this day to astound and excite the world. Benin artifacts are among the most exquisite and coveted in world's history, and the kingdom of Benin remains famous for its sophistication in social engineering and organization. The Bini Obaship institution is still one of the world's most revered apart from being one of the most ancient. Edo was incorporated into what the British called the Niger Coast Protectorate, later known as the Southern Protectorate, and after annexing Arochukwu (Igboland) in 1902, and Hausa Fulani emirates in 1903, merged what they called Southern and Northern Protectorates in 1914 to form what in now Nigeria.